9/22/2023 0 Comments Have a nice life death review![]() The album was well-received by fans and critics alike. After performing for several years, Have a Nice Life released its debut studio album, entitled Deathconsciousness (2008). The band was originally founded by the duo Dan Barrett and Tim Macuga in 2000 in Middletown, Conn. And best of all? We can say we were there when it was played in full.Add some excitement to your night with Have a Nice Life tickets and do not miss out on seeing this talented post-punk band tear up the stage. We'd go one further: A Matter Of Life And Death isn't just a really good album. I’ve gone back and revisited it a little bit, and I thought, ‘Shit, that was a really good album.’" Only last year, in fact, Bruce Dickinson brought up A Matter Of Life And Death when discussing Senjutsu, noting, " A Matter Of Life And Death was really good. For fans and band alike, the record remains a particular high point of the band's latter years. Of all Maiden's post-2000 offerings, it's the album that managed to push their songwriting forwards and feel ambitious while remaining self-contained and atmospherically consistent. Over a decade and a half on, it's hard to find a single chink in A Matter Of Life And Death's armour. The album is capped off with Lord Of Light, a track whose eerie, tip-toeing opening gives way to a histrionic injection or pace and bluster, and The Legacy, a nine-minute beast that journeys from medieval campfire balladry to stomping riffs and a final flurry of classic Maiden galloping heroism. Today, it's comfortably the most streamed song on the album, and it's perhaps no surprise that when Maiden decided to dig into A Matter Of Life And Death when creating the setlist for the Legacy Of The Beast tour, they turned to it. Needless to say, it remains Maiden's most unique and decidedly un-single-y single ever.įor The Greater Good Of God is probably the album's pinnacle: the longest song on the record, it's a desperately affecting, emotional rally against the futility of war and religion's influence within it. If you needed any more evidence of Maiden's stubbornness around this time, they released the song as the album's lead single despite knowing it'd be ineligible to chart in the UK due to its seven minutes-plus runtime. The Reincarnation Of Benjamin Breeg is a brooding, angry tale of a fictional character who may have dabbled a little too heavily with the occult. The Pilgrim is a taught and frenetic rager the imperious and marching The Longest Day bursts into one of Maiden's most searing post-2000 choruses Out Of The Shadows is classic, swaying Maiden at their anthemic best. Opening with the breezy, gung ho Different World, A Matter Of Life And Death really sets out its stall with the two tracks that follow: the defiant These Colours Don't Run, inspired by a brilliant piece of ad-libbing from Dickinson during their infamous run-in with Sharon Osbourne at Ozzfest 2005, and Brighter Than A Thousand Suns, a dark, dramatic epic that flies close to nine minutes.įrom there on in the hits keep coming. In the case of A Matter Of Life And Death, it'd be easy to write off their stubborn belief in that record as ego were it not for the fact that the album itself holds up so spectacularly.įrom top to bottom, it's a world class record. ![]() In an era where many veteran rock and metal bands increasingly rely on past glories, you can't help but marvel at Maiden's determination to stick by their modern material (you only need look at this year's epic Download performance, where the band opened with three cuts from most recent album Senjutsu, to see that that particular ethos is still very much intact). The band even took the unusual decision not to properly master the record, believing that a "raw" sound would most accurately represent the organic seamlessness of the recording process. The recording of the album bore all the hallmarks of a band high on confidence, Dickinson noting to Hammer that, despite the album's epic scope, the sextet "finished the record with two months to spare", adding that many of the songs that ended up on A Matter Of Life And Death were "first time takes". Signs of Maiden's iron-clad belief in A Matter Of Life And Death were there from the beginning. A near-flawless, dark and heavy, progressively-minded behemoth, it was awarded a perfect 10/10 by Metal Hammer and a 9 by Classic Rock, who hailed it as the band's best album "since the 80s." With over half its ten tracks running at over six minutes (three of which hung around the nine minute mark), it also marked the strongest indication yet that Maiden were firmly into a stage of their career where they were more interested in crafting expansive, layered epics than smashing out galloping, four or five-minute heavy metal bangers. Maiden's supreme confidence in their fourteenth studio album was justified. ![]()
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